Hand-cut collage of a skull with dandelions and flowers growing from it, “Miami Magic” sticker on the forehead, handwritten journal pages in the background, with Korean-English lyric strip at the bottom.

The West

A skater cruises, slouching, to a step,

ollies onto the platform behind it,

pumps hard with his right leg,

ollies up and over the next step,

then leaning in and carving a semicircle

across the polished flagstones

before relaxing

as gravity takes him

back down, to the flatness

of the square. His friend

shadows his every move

as they begin a slow circuit.

Workers stride through

to the bus station, to central station.

Flanked by two large carrier bags,

a homeless woman sits on a bench,

not far from a tourist

posing for a photo.

A man, speaking earnestly,

gesticulates to nobody

in particular—

I do not see a phone.

The clocktower, gothic-looming,

begins to chime.

A tourist group stops walking

to look up.

I look at them.

There are eight sober tones.

They reverberate through my body—

then elsewhere.

The sound dissipates,

the tourists start walking again

and I see the man,

stock-still now, west-facing, dishevelled—

he claps in a rapid burst,

too quick to count,

and I sense—unheard—

a reverberation

from the clocktower.

The skaters stop

and one of them smashes

the tail of his board.

He goes to a bench

and sits, looking at his phone.

His friend leans,

looking over his shoulder.

They look for a long time

and he puts his head

in his hands. His friend

just stands there.

I want to look away.

I don’t.

The man goes to a new spot

and walks in

slow circles.

He stops, but his mouth is moving.

His arms are by his sides, palms up,

then he moves them up and out.

Is it a prayer?

He is facing west again,

I think—his shadow

stretches behind him—

I look over to the skaters,

but they are gone,

there is only a shard

of splintered wood

on the ground.

Time passes,

the crowd thins.

The sun is low but its heat remains,

radiating from the flagstones

into the humid air—

a visitor from the tropics—

sweat pooling

in the small of my back

while many false suns

shimmer on the dark stone,

cast from the mirrored blue surface

of an office building.

The clocktower tolls again,

this time the cycle

is twelve tones,

each of which vibrates

through me and departs.

I try to count

but cannot hold them.

The man claps

a rapid staccato

of threes or fours.

The crowd returns.

commuters hurry through the square.

The man faces west,

his shadow stretching back

to the bench, where the skaters

are again sitting,

heads tilted down

toward a rectangle

of light.

The man,

eyes closed

against the afternoon glare,

raises his arms

to the sun.


[start here] next: [after the storm] [sine qua non] [final instructions]


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