…
It’s dark but the humid air traps the heat.
My arms ache and I can feel fatigue
pressing behind my eyes.
The lift doors open onto the basement carpark,
and I step out with two heavy shopping bags,
moving under a bare light fitting that buzzes faintly.
I squint. The concrete pillars
are pockmarked and lettered, and the worn white arrows
point to the exit but not my car. I walk through hard light
and fractured shadows. Droning fans push air
through ceiling ducts, the sound reverberating through the space.
My footsteps echo before
the drone absorbs them, and
they are gone.
…
I am halfway across the carpark
before I notice a parked car with its engine idling,
brake lights illuminating the concrete, and I think I hear
a short, muffled sob but it’s covered
by the drone coming from the ducts, so
I’m not sure.
I turn just enough to see a rigid figure
in the driver’s seat with both hands
on the wheel, and the engine cuts out.
The hands haven’t moved.
Their face is obscured by light reflected
off the windscreen.
I pretend not to notice, and instead
look toward my car.
…
I load the boot and walk to the driver’s side.
The figure is still there, but I can’t read the posture—
the glare blocks my sight.
I try not to stare. I get into my car and start the engine.
When I look up, one of the figure’s hands has moved—
held close to the chest, I think—
the other is still on the wheel.
I put the car into gear and move to the ramp.
I drive upward, but the figure, too still,
stays with me.
I don’t look back.
…
…
Navigation → Next: [the last bus] [under the bridge]



